| Freak folk |
| Stylistic origins |
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| Cultural origins |
Late '60s United States
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| Typical instruments |
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| Other topics |
| New Weird America |
Freak folk is a genre of folk music associated with contemporary artists, like Devendra Banhart, Joanna Newsom, Hecuba, Akron/Family, Rio en Medio, Sufjan Stevens, Sean Hayes, and with '60s artists like the Holy Modal Rounders, The Incredible String Band, Tyrannosaurus Rex, The Godz and The Fugs. It is related to, but distinct from, psych folk.citation needed
Musically, it consists of mainly acoustic instruments, mostly guitar and occasionally violin or flute, accompanied by percussion instruments such as bongos. The guitar often uses alternate tunings. The drone is a component of the style.
The term "Freak Folk" is largely a music journalist created phrase for the genre and hasn't been adopted or endorsed by the artists themselves. Although many of the artists have shrugged off defining their movement by a specific genre, several have proposed alternatives such as "Naturalismo," that evade the negative connotations some have come to associate with the "Freak Folk" genre and collective of musicians.
Terminological dissent
"If you were to ask me how I feel about the term freak-folk," said Banhart to the New York Times[1], "it's cool - you have to call it something - but we didn't name it. We've been thinking about what to call it, and we just call it the Family."
After further connotations were connected to the term "freak folk", Devendra Banhart proposed the alternate term "Naturalismo". In 2006 he had the following to say:
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My hero, my favorite musician, is Caetano Veloso. That’s my number one,” enthuses Devendra. “What gets me through a tour is listening to Caetano (slight pause) or Jorge Ben, Gilberto Gil, Os Mutantes, and all that. That’s what gets me through my life. Tropicalismo becomes this big part of my life and this big inspiration, so I started thinking about Naturalismo. That’s what we do – naturalism. I started talking to Andy (Cabic) from Vetiver about this. ‘What do you think about this? Naturalism is a good one, right?’ If we give them some alternatives then maybe people will start taking this seriously. It’s not going to happen with these humiliating, embarrassing, cheesy, tacky phrases like ‘freak folk.’ Then he says, ‘We don’t want to be anti-artifice. We don’t want to be against anything or elitist in any way.’ I agreed.” “Then I started thinking about something I’ve said in every interview, which is that everything is a derivative of nature. Everything. Even the most plastic, most synthetic things are derived from nature. The source of them is found in nature at some point. Naturalismo becomes a completely all-inclusive thing. If there’s one thing we can take from Tropicalismo, it’s this anthropophagic attitude towards the world. |
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Naturalismo is also mentioned in a 2006 Phoenix magazine article written about Arthur magazine's founder Jay Babcock: [2]
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Arthur has saturated itself in the ’60s, via features on the Weather Underground, the MC5, the 1967 March on the Pentagon, and also in the post-psychedelic slant of the music coverage. But there’s nothing regressive here. From the freaky folkers to the acid rockers, Arthur bands have their eyes on the advancing historical horizon: the same rumble of tribal disturbance is heard beneath the dragon-groan of SunnO))) and the fey, brilliant stylings of harpist/singer Joanna Newsom. A tastemaker and an advocate, Babcock has probably done more to promote and consolidate this intangible consensus than anybody else. He calls it “naturalismo”." |
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Banhart would eventually become fed-up with the term "Freak Folk", saying in a 2007 Rolling Stone interview "the term is fucking lame! I just play rock 'n' roll." Many people, including those who have been labeled freak folk, have criticized the label. Greg Vandy, of KEXP, wrote on its blog, "The press have labeled it Freak Folk. Which pisses off all the artists described as such." Ed Droste, of Grizzly Bear, has said, "Freak-folk comes with an image attached: You have to have a beard and be Jesusy, if you know what I mean.... You have to have a really extreme voice, and be really divisive."[1]
Vashti Bunyan is considered by some to be "The Godmother of Freak Folk."[3]
"New folk"
New folk is a catch-all term used to describe musicians working in the freak folk, psych folk, New Weird America, and Naturalismo idioms[2], which take inspiration from Bob Dylan, John Fahey, and from late 60's-early 70's artists such as Pentangle and The Incredible String Band .[2] A willingness to utilise new technology and mix various disparate styles is a key facet of the genre. It is also identified by its use of abstract lyrics, uncommon forms of songwriting, and its association with alternative and indie rock.[2] The genre's leading artist is considered to be Devendra Banhart who in 2004 assembled The Golden Apples of the Sun, which gave New Folk critical attention in 2004. [2] Leading acts include Animal Collective[2], Iron and Wine[2], Jeff Eden, Joanna Newsom[2], CocoRosie[2], Six Organs of Admittance[2], The Angels of Light[2], Vetiver[2], Espers[2], Wooden Wand and the Vanishing Voice[2]. New folk often incorporates elements of Folktronica. Vashti Bunyan is often considered the "godmother" of the genre.[2].
Freak folk (Naturalismo) artists have a heavy overlap with the New Weird America movement.
External links
References
See also
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