|
Academy Award for Best Picture
|
The Academy Award for Best Motion Picture is one of the Awards of Merit presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) to artists working in the motion picture industry. The Best Picture category is the only category in which every member of the Academy is eligible not only to vote on the final ballot, but also to nominate. During the annual Academy Awards ceremony, Best Picture is reserved as the final award presented and is usually collected at the podium by the film's producers and director. However, only the producers are officially credited with receiving the award. The Academy Award for Best Motion Picture is universallycitation needed considered the most important of the Academy Awards, as it is the final result of the collaborative producing, directing, acting, and writing efforts put forth for a film. The Grand Staircase columns at the Kodak Theatre in Los Angeles, where the Academy Awards ceremonies have been held since 2002, showcase every film that has won the Best Picture title since the award's inception 80 years ago.
History
At the 1st Academy Awards ceremony (for 1927 and 1928), there was no Best Picture award. Instead, there were two separate awards, one called Most Outstanding Production, won by the epic Wings, and one called Most Artistic Quality of Production, won by the art film Sunrise. The awards were intended to honor different and equally important aspects of superior filmmaking, and in fact the judges and the studio bosses who sought to influence their decisions paid more attention to the latter - MGM head Louis B. Mayer, who had disliked the realism of King Vidor's The Crowd, pressured the judges not to honor his own studio's film, and to select Sunrise instead. The next year, the Academy instituted a single award called Best Production, and decided retroactively that the award won by Wings had been the equivalent of that award, with the result that Wings is often erroneously listed as the winner of a sole Best Picture award for the first year. The title of the award was eventually changed to Best Picture for the 1931 awards.
Since 1944, the Academy has restricted nominations to five Best Picture nominees per year. As of the 80th Academy Awards ceremony (for 2007), there have been 463 films nominated for the Best Picture award. Throughout the past 80 years, AMPAS has presented a total of 80 Best Picture awards. Invariably, the Academy Awards for Best Picture and Best Director have been very closely linked throughout their history. Of the 80 films that have been awarded Best Picture, 59 have also been awarded Best Director.[1] Only three films have won Best Picture without their directors being nominated (though only one since the early 1930s): Wings (1927/28), Grand Hotel (1931/32), and Driving Miss Daisy (1989). The only two Best Director winners to win for films which did not receive a Best Picture nomination are likewise in the early years: Lewis Milestone (1927/28) and Frank Lloyd (1928/29).
One point of contention is the lack of consideration of non-English language films for categories other than Best Foreign Language Film. Very few foreign language films have been nominated for any other categories, regardless of artistic merit. To date, only eight foreign language films have been nominated for Best Picture: Grand Illusion (French, 1938); Z (French, 1969); The Emigrants (Swedish, 1972); Cries and Whispers (Swedish, 1973); Il Postino (Italian/Spanish, 1995); Life Is Beautiful (Italian, 1998); Crouching Tiger, Hidden Dragon (Mandarin Chinese, 2000); and Letters from Iwo Jima (Japanese, 2006). Another point of contention is the recent extreme bias toward 2-plus hour films: Crash (2006, 113m) is the shortest film to win Best Picture in the past 20 years, as well as a lifelong bias against animated features. To this day, only Beauty and the Beast has been nominated for the award.
No Best Picture winner is lost, though a few such as All Quiet on the Western Front and Lawrence of Arabia exist only in a form altered from their original, award-winning release form, usually having been edited for reissue (and subsequently partly restored by archivists). Other winners and nominees such as Tom Jones and Star Wars are widely available only in subsequently altered versions. The 1928 film The Patriot is the only Best Picture nominee that is lost; The Racket was believed lost for many years but a print existed in producer Howard Hughes' archives and it has since been shown on Turner Classic Movies.
Winners and nominees
In the lists below, the winner of the award for each year is shown first, followed by the other nominees. Except for the early years (when the Academy used a non-calendar year), the year shown is the one in which the film first premiered in Los Angeles County, California; normally this is also the year of first release, but it may be the year after first release (as with Casablanca and, if the film-festival premiere is considered, Crash). This is the year before the ceremony at which the award is given; for example, a film exhibited theatrically during 2005 was eligible for consideration for the 2005 Best Picture Oscar, awarded in 2006. The number of the ceremony (1st, 2nd, etc.) appears in parentheses after the awards year, linked to the article (if any) on that ceremony. Each individual entry shows the title followed by the production company, and the producer. For foreign language films, the original title is also shown. Until 1950, the Best Picture award was given to the production company; from 1951 on, it has gone to the producer. The official name of the award has changed several times over the years:
- 1927/28 → 1928/29: Outstanding Picture
- 1929/30 → 1940: Outstanding Production
- 1941 → 1943: Outstanding Motion Picture
- 1944 → 1961: Best Motion Picture
- 1962 → present: Best Picture
1920s
1930s
1940s
1950s
From 1951 on, the individual producer (rather than the production company) receives this award.
1960s
1970s
1980s
1990s
- 1991 The Silence of the Lambs - Orion Pictures Corp. - Edward Saxon, Kenneth Utt, Ron Bozman
- Beauty and the Beast - Walt Disney Pictures - Don Hahn
- Bugsy - Baltimore Pictures, Desert Vision, Mulholland Productions, TriStar Pictures - Mark Johnson, Barry Levinson, Warren Beatty
- JFK - Alcor Films, Camelot, Ixtlan Corp., Le Studio Canal+, Regency Enterprises, Warner Bros. - A. Kitman Ho, Oliver Stone
- The Prince of Tides - Barwood Films, Columbia Pictures, Longfellow Pictures - Barbra Streisand, Andrew S. Karsch
- 1992 Unforgiven - Malpaso Productions, Warner Bros. - Clint Eastwood
- The Crying Game - British Screen, Channel Four Films, Eurotrustees, Nippon Film Development and Finance, Palace, Miramax Films - Stephen Woolley
- A Few Good Men - Castle Rock Entertainment, Columbia Pictures Corp. - (producer), Rob Reiner, Andrew Scheinman
- Howards End - Channel Four Films, Cinema 10, Ide Films, Imagica, Japan Satellite Broadcasting, Merchant-Ivory Productions, Nippon Film Development and Finance, Sumitomo, Sony Pictures Classics - Ismail Merchant
- Scent of a Woman - City Light Films, Universal Pictures - Martin Brest
- 1994 Forrest Gump - Paramount Pictures - Wendy Finerman, Steve Tisch, Steve Starkey
- Four Weddings and a Funeral - Channel Four Films, PolyGram Film Entertainment, Working Title Films - Duncan Kenworthy
- Pulp Fiction - A Band Apart, Jersey Films, Miramax Films - Lawrence Bender
- Quiz Show - Baltimore Pictures, Hollywood Pictures, Wildwood Enterprises - Michael Jacobs, Julian Krainin, Michael Nozick, Robert Redford
- The Shawshank Redemption - Castle Rock Entertainment, Columbia Pictures Corp. - Niki Marvin
- 1995 Braveheart - 20th Century Fox, B. H. Finance C. V., Icon Entertainment International, Paramount Pictures, The Ladd Company - Mel Gibson, Alan Ladd, Jr., Bruce Davey
- Apollo 13 - Imagine Entertainment, Universal Pictures - Brian Grazer
- Babe - Kennedy Miller Productions, Universal Pictures - Bill Miller, George Miller (producer), Doug Mitchell
- Il Postino (The Postman) - Blue Dahlia Productions, Cecchi Gori Group Tiger Cinematografica, Esterno Mediterraneo Film, Penta Films S. L., Miramax - Mario Cecchi Gori, Vittorio Cecchi Gori, Gaetano Daniele
- Sense and Sensibility - Columbia Pictures Corp., Mirage - Lindsay Doran
< |